*If you're blatantly misogynistic,homophobic,transphobic,Anti-Semetic,or racist,keep it moving*. Carefree black boy,perpetual nerd,and Wile E Coyote,super genius.
If you people start giving Hobie Brown the Eddie Munson effect I’m going to start killing. His ass would not be listening to arctic monkeys be so fr
i like never do this & im sorry to hijack yr post (especially seeing as you are a person i do not know!!) but another thing im seeing on these playlists is an absolutely abysmal amount of black artists. spider-punk is and has always been a black character, and black people are frequently pushed out of alternative and subcultural spaces, so i’m going to offer some black punk artists i personally enjoy for i guess playlist consideration aimed towards some of the ppl in the notes, although this isn’t definitive & hobie’s taste will of course not necessarily be my own.
also to note before we get into this is that punk is a culture of resistance. hobie in specific (though i don’t know how much of this will be part of his characterization in the spiderverse trilogy going forward—he’s pretty different in atsv, which isn’t a bad thing) has been depicted in the comics as a homeless teenager living under a fascist government. regardless of whether or not that depiction is accurate for this version of hobie is irrelevant for now; the point i’m making is that his attachment to punk is not purely aesthetic in nature. i think keeping the radical aspects of punk in general and of spider-punk in specific in mind are important when discussing the character.
anyway.
death (this one is kind of essential in terms of punk history. they started recording songs under the band name death in 1971 and disbanded in 1977, but their music was only relatively recently properly released. they’ve been occasionally cited as the first punk band ever.)
pure hell (another early & extremely influential punk group, this one from 1974. in contrast with the isolation death operated within, pure hell were heavily involved in the early punk scene.)
bad brains (originally an american jazz group who became punk with a reggae fusion. they cite pure hell as an early influence, which is pretty cool.)
x-ray spex (70s english punk band fronted by poly styrene, whose vocals greatly influenced the later riot grrrl movement. notable for lyrical attacks on commercialism and corporate artifice.)
zulu (i fucking love zulu so much guys you should all listen to zulu right now. they’re frequently described as powerviolence, which is accurate, but they also incorporate elements from various historically black genres, like funk, jazz, & soul. you can listen to one zulu album and get a ton of different musical experiences it rules.)
bob vylan (london-based punk rap duo. to me they’re like the ideal of what punk set out to be in the first place, ideologically speaking. i don’t even know what else to say here. if you’re interested in modern punk and aren’t listening to bob vylan you should be. they’re insanely skilled and deserve to be the center of the conversation.)
this post has gone on long enough you get the gist. & if you actually feel inspired enough to want to make a 100% accurate spider-punk playlist, get into your local scene and see what’s playing there. it’s what he would want, probably.
i’d also recommend big joanie, soul glo, the muslims and minority threat!!
Really fucked up actually that the “you are valid” culture which, usefulness and uh, validity thereof aside, was intended to provide some some perspective for people who may have been blamed for harmless things they could not control morphed into “if strangers on the internet do not constantly tell me I’m good and perfect they are the oppressor” and “even constructively and gently telling me that I hold some power and responsibility to seek a better situation is an unspeakably cruel act.”
Once, in an argument with my therapist about a decision I made to antagonize my mother, I snapped, “My feelings are valid,” and he shot back, “They’re valid because they’re real, but that doesn’t make them rational.”
It was a more nuanced and tailored conversation after that, but that particular quote struck me especially and made me realize how often I was conflating “valid” with “reasonable” or “justified.”
Three comic edits of Miguel O'hara. The first one features him wearing the suit. The second shows his claws. The third shows his face partially.Three comic edits of Miguel O'hara. The first one shows him sitting down. The second shows him alerted, while wearing the suit. The third one shows his fangs.
I’ve been on a bit ob a Russell Crowe movie binge in the past few weeks and since he is almost sixty now, many of the movies I’ve watched were consequently older movies. and when I watched them, it struck me again, how much hollywood has changed in the last few decades when it comes to depicting men.
take Gladiator for example from the year 2000. Russell Crowe plays basically an action hero in it. he is a big, muscly dude, who is very strong and uses that strength to defeat his enemies. and this is what he looks like:
looks like a strong man, right?
in the same year, Hugh Jackman as Wolverine looked like this in the first X-men movie:
in 2013 the same character played by the same actor looked like this:
it’s a bit much, isn’t it? I mean, he looks so skinny.
and if we go even further back: look at what the womanizer character Face from the A-team looked like in the 80s show vs the 2010 movie reboot:
maybe the difference isn’t that big but it really startled me when I watched that movie for the first time. in my mind there was no reason why Face should be particularly muscular since he is the charming one not the one known for being particularly strong.
if we go even further back, look at the charmin womanizer character Hawkeye in M*A*S*H from the 70’s.
I know he’s a doctor and there is no reason for him to be ripped but I got the feeling if they did the show now, he would be.
I don’t know what my point really is I’m just saying I got a bit nostalgic when watching these men. I cannot be the only one who’d rather see more of this:
also, as a sidenote: Russell Crowe gained a lot of weight for the nice guys and he is a fucking powerhouse in that film, like, when he punches someone, you really feel it because of the weight that is behind it and the shere mass of his body.
(even if this may look different, he’s about to break Ryan Gosling’s character’s arm. I couldn’t find a gif of him punching someone but I swear it looks painfull as hell.)
so, in short: can we get big, heavy action guys back? cause I’m tired of seeing these skinny, despite being muscular dudes who look dehydrated as hell and on steroids.
and can we stop making characters ripped just for the sake of it? cause I’d rather cuddle with a guy looking like Hawkeye than one looking like Face from the new A-team movie.
netflix is CRAZY if they think i’m about to pay for my own account when i can just p*rate all their shit 😭
ASDFJDKSHSKS
Meanwhile, Brazil has a pretty robust consumer’s defense public system called PROCON, which has already notified Netflix twice of potentially unlawful charges of login in multiple addresses, on grounds that (1) nowhere in the constitution says you can’t have multiple addresses on your name, (2) nowhere in the constitution says you have to have a home (fixed address) in the first place and (3) the streaming service states that you can “watch wherever you want” (referring to the app on your cellphone), which leads the consumer to believe you can log on your profile wherever you want, thus being false advertising. PROCON is coming for Netflix’s ass and I’m ALL for it
Three comic edits of Miguel O'hara. The first one features him wearing the suit. The second shows his claws. The third shows his face partially.
Three comic edits of Miguel O'hara. The first one shows him sitting down. The second shows him alerted, while wearing the suit. The third one shows his fangs.
